Archive for the ‘Reviews’ Category

GDD™ Celebrates Marquee’s One-Year Anniversary w/ Avicii

It was a few short years ago that nightclub impresario Jason Strauss was in Ibiza, chatting with four of his main competitors regarding rumblings they had heard of his next venture. Rumor had it he was opening a nightclub dedicated solely to dance music that would be the 62,000 square foot, 128 times per minute beating heart of a brand new casino in the Las Vegas desert. He confirmed their suspicions…they told him he was out of his fucking mind, but as the saying goes, the great ones normally are. At the time, this simply just wasn’t a successful business model, despite the current budding reputation of Vegas as the new American Ibiza. Clubs were open format, mostly hip-hop, except for a few of the midweek nights. Just last January that new venture became Marquee Las Vegas, and in one short year the club has established itself as one of the premiere nightlife destinations on the planet.

Upcoming projects for Jason and his partners include announcing a new Marquee-brand venue overseas, giving a major facelift for their New York City location, and undergoing a complete overhaul of the Marquee Las Vegas Dayclub for next summer (that will apparently install some infrastructure to allow the outdoor club that’s featured some of 2011′s best pool party line-ups to send flying humans – amongst other things – through the air).

2012 will see exclusive Las Vegas club residencies (that means these artists aren’t ruled out for EDC 2012) from Above & Beyond, ATB, Benny Benassi, Chuckie, Dirty South, Erick Morillo, and Kaskade, and that’s just who is returning. The new residencies they plan on announcing in the coming month I’m sure will positively blow our collective mind.

Click on after the jump to see photos from last Monday’s events including our Q+A with Avicii and Jason Strauss, the pumping interior of Marquee, and more…

Tim Bergling (Avicii) and Jason Strauss answer our questions regarding the competitive market in Las Vegas.

Tim answers our question about where he sees his music and DJing 15 years down the line.

Avicii gets all 6,000 people inside Marquee ready for the drop.

Hands up for ‘Levels.’ 

Special thanks to: Jason Strauss, Tim Bergling, Morgan Deane, Lydia Fong, and the Cosmopolitan Hotel. 

Photo credit: Bennett Sell-Kline for Marquee Nightclub & Dayclub 

______________
burn unit + jonahberry

New Years Eve 2011: Insomniac’s White Wonderland

Photo Credit: Matthew Little

From the moment I heard all the details about Insomniac’s latest party, White Wonderland, I knew it was something I had to check out for myself. Up until the moment I actually stepped foot into the Anaheim Convention Center, I was not really sure what to expect.  I did not actually believe that Insomniac could pull off a 21+, white party, in Orange County of all places. I am pleased to report back they proved me wrong on all fronts.

It all started for me when I took my place in the security line to get in. Expecting it to take forever and a day, like always, it went by in no time. To be honest, I can’t remember getting through security that quickly. There were not any hiccups and the security guards kept the line flowing steady for the rest of the evening.  The layout of the venue was well thought out. Having a limited capacity of 10,000 people gave everyone more than enough room to spread out and dance. Off the dance floor, bars, water stations and food vendors were dime a dozen. Throughout the venue the wait was never overbearing. Finally, the quality of the sound and stage production was over the top, as it is at all Insomniac events. The sound really added the extra special push taking the event to a different level.

Day 1 Favorite: Dada Life
With their incredible stage presence and high energy DJ set  let loose upon the crowd, our favorite Swedes did what they did best and proved to blow everyone out of the water on New Years Eve. Any let down from Kaskade’s cancellation was quickly swept away after doing the Dada.

Day 2 Favorite: Steve Angello
The chief behind his own record label’s Size Matters party, Steve Angello became a conductor of the night with his uncanny song selection and ability to control the crowd with every booming beat. The debut festival was one for the books as Insomniac Events rang in the new year with complete Swedish domination back-to-back nights. We can only look forward to a massive 2012 and the continuing success of EDM through the spirit of the festival experience.

 

GDD™ 2011 Wrap Up, Part Two: NuDisco + Indie-Electro

Not much else to say…our beloved Mr. Jonah Berry summed up in the last post what an amazing year it was AND what all our readers mean to us. THANK YOU ALL. That being said, to wrap up the wrap up for this banner year in dance music, here is the NuDisco + Indie-Electro world in 2011 according to aRod + Tropicool…HAPPY NEW YEAR!

Top 30 Songs of 2011: (in no particular order)
• Niki & the Dove – Gentle Roar (Mylo Remix)
• Adele – Set Fire to the Rain (Plastic Plates Remix)
• Niki & the Dove – Mother Protect (Goldroom Remix)
• The Rapture – How Deep is Your Love
• Jeremy Glenn – New Life (Perseus Remix)
• The Magician – Twist
• Peter & The Magician – Always on the Run (The Magician Remix)
• M83 – Midnight City
• Poolside – Do You Believe
• Poolside – Harvest Moon
• Sneaky Sound System – Big (Oliver Remix)
• Drop Out Orchestra – Ego
• Edwin Van Cleef – Lisztomania (ft. Jane Hanley)
• Gigamesh – When You’re Dancing
• Tensnake – Something About You
• Jonas Rathsman – Tobago
• Miami Horror – Summersun (Cadillac Remix)
• Noah & The Whale – Life is Life (Yuksek Remix)
• Beni – Someone Just Like You (VillA Remix)
• Breakbot – Fantasy (feat. Ruckazoid)
• Chris Malinchak – No Secrets (featuring Damon C. Scott)
• ColeCo – Can’t Stop
• Friendly Fires – Hurting (Tensnake Remix)
• Human League – Never Let Me Go (Aeroplane Remix)
• Bag Raiders – Sunlight
• Lykke Li – I Follow Rivers (The Magician Remix)
• Moon Boots – Off My Mind
• Perseus – Running Back To You
• Katy B – Lights On (Gigamesh Remix)
• The Whip – Secret Weapon (Alex Metric Remix)

Top 10 Artists:
1.  The Magician
2.  Gigamesh
3.  Plastic Plates
4.  Madeon
5.  Goldroom
6.  Oliver
7.  Perseus
8.  Aeroplane
9.  Poolside
10a. Tensnake
10b. Edwin Van Cleef

Honorable Mentions:
- Tiger & Woods
- Tyson
- Beni
- Cadillac
- Cherokee
- Amtrac
- Moullinex
- Drop Out Orchestra
- Viceroy
- RAC
- Chris Malinchak

Top 15 Albums:
Aeroplane – In Flight Entertainment
Justice – Audio, Video, Disco
Fred Falke – Part IV
Beni – House of Beni
Sebastian – Total
The Weeknd – House of Balloons
Holy Ghost! – Holy Ghost!
Yuksek – Living on the Edge of Time
Theophilus London – Timez Are Weird These Days
Tiger & Woods – Through the Green
m83 – Hurry Up, We’re Dreaming
Washed Out – Within and Without
Metronomy – The English Riviera
Bon Iver – Bon Iver
Pompeya – Tropical

Best Live Performances:
Fred Falke at Pacific Festival
The Presets at Coachella
Holy Ghost! at HARD Summer
The Twelves at Pacific Festival
The Magician at HARD Summer
Royksopp at the Music Box

Best Festivals: (we attended)
Coachella (CA)
Hard Summer (LA)
Blow Up Forever (SF)
Pacific Festival (OC)

Top 5 Labels of the Year:
French Express
Future Classic
DFA
Kitsune
D.I.S.C.O.Texas

Top 5 Mixtapes of the Year:
Goldroom’s Otono Mix
Art Department Essential Mix
Magic Tape 13
Gigamesh – Night Swim
Drop out Orchestra – September Mix Session

Exploding in 2012:
Jonas Rathsman
Cherokee
Psychemagik
ColeCo
Cosmonauts
Cslsx
Cadillac
Kamp!
Moonlight Matters
Jacques Renault
Hannulelauri
Late Nite Tuff Guy
Edit Murphy
Falcon Punch

Lookout for in 2012:
Classixx album
Poolside album
2 Bears album

aRod + Tropicool

 

GDD™ BEST OF 2011 Wrap Up


It’s been a great year for dance music. Artists, events, festivals, and fans came out more than ever this year, augmenting the EDM community and taking it to a global level never seen before. We’ve heard Skrillex on Monday Night Football. We’ve seen Swedish House Mafia sell out Madison Square Garden. We’ve witnessed hundreds of thousands of people around the world coming together in the name of music. I have a feeling that this year has truly sparked a movement that has a huge potential to grow larger and larger, and we’re ecstatic to be along for the ride.

We’ve put together a handful of lists of our favorites of 2011, with suggestions from Bones, Tre, Stevie, Troy and me. As always, I’m sure we left out your favorite song, but we’d love to hear what you guys think of our opinions and please feel free to comment below with your own! Also, make sure to keep your eye out for the Special Edition Nu Disco + Indie Dance Wrap Up from aRod + Tropicool.

Happy New Year dear readers. You’re the best we could ever ask for.

We cheers this extra-stiff cocktail to you and 2012…

Top Original Mixes (25)
A1 Bassline – Shock Headed
Benoit & Sergio – Walk & Talk
Bingo Players – Cry (Just A Little)
Blawan – Getting Me Down
Canblaster – Triple Ring
Dada Life – White Noise / Red Meat
Danny Daze – Your Everything ft. Louisahhh
Deniz Kurtel – The L Word feat. Jada
Gesaffelstein – Hatred
Gil Scott-Heron And Jamie XX – NY Is Killing Me
Homework – The Street
Joe Goddard – Gabriel ft. Valentina
Joy Orbison – Sicko Cell
Julio Bashmore – Battle For Middle You
Maceo Plex – Can’t Leave You
Moby – Voctoria Lucas
Neoteric, Wax Motif – Go Deep
Oliver $ – Doin’ Ya Thing
PeaceTreaty – Change
Prince Club – Body Holly
Rustie – City Star
SBTRKT – Wildfire
Switch – I Still Love You
Tanner Ross – 4 U
The 2 Bears – Bear Hug

Top Remixes (25)
11:11 – Tourist Trap (Jamie Jones Remix)
Avicii – Levels (Clockwork Remix)
Azari & III – Hungry For The Power (Art Department Remix)
Benoit & Sergio – Boy Trouble (Visionquest Remix)
Cassius – The Sound of Violence (Franco Cinelli Remix)
Cee Lo Green – Fuck You (Bart B More Remix)
Chilly Gonzales – You Can Dance (Edwin Van Cleef Remix)
CSS – Hits Me Like A Rock (Dillon Francis Remix)
Dennis Ferrer – Hey Hey (Atjazz Remix)
Friendly Fires – Blue Cassette (Tiga Remix)
Luca C & Brigante ft. Ali Love – Different Morals (Clockwork Remix)
Martin Solveig ft. Dragonette – Hello (Dada Life Remix)
Mattie Safer ft. Ninjasonik – That Your Girl (Skeet Skeet Remix)
Mustard Pimp – ZHM (Dada Life Remix)
Nightriders – Hey (Nom De Strip Remix)
Pendulum – The Island (Madeon Remix)
Porter Robinson – Unison (Knife Party Remix)
Sneaky Sound System – We Love (Pleasurekraft Remix)
The Xx – Crystalised (Edu Imbernon Remix)
Toddla T – Take It Back (The 2 Bears Remix)
Totally Enormous Extinct Dinosaurs – Household Goods (Justin Martin Vocal Mix)
Totally Enormous Extinct Dinosaurs – Trouble (Chad Valley Remix)
Virgo Four – Its A Crime (Caribou Remix)
Waifs & Strays – Body Shiver (Hot Natured Remix)
ZZT – Zzafrika (Light Year & The Finger Prince Remix)

Best Producers (10)
Azari & III
Blawan
Danny Daze
Julio Bashmore
Maya Jane Coles
Nicolas Jaar
Porter Robinson
Tensnake
The 2 Bears
Totally Enormous Extinct Dinosaurs

Best DJs (10)
A-Trak
Afrojack
Boys Noize
Dada Life
Jamie Jones
Kaskade
Laidback Luke
Loco Dice
Tiga
TJR

Breakthrough Artists (10)
12th Planet
Avicii
Clockwork
Dillon Francis
Gesaffelstein
Gigamesh
Julio Bashmore
Miguel Campbell
Porter Robinson
Tanner Ross

Best Labels (10)
Crosstown Rebels
Defected
DFA
Dim Mak
Dirtybird
Hot Creations
Mad Decent
Marble
Sound Pellegrino
Sweat It Out

Best Performances (that we attended) (5)
Afrojack @ EDC Las Vegas
Boys Noize @ EDC Las Vegas
James Blake live @ The Music Box
Loco Dice @ Space Miami Jan 8th
Visionquest @ Get Lost LA

Best US Clubs (5)
Avalon Hollywood — Los Angeles
Beta — Denver
Electric Pickle — Miami
Voyeur — San Diego
XS at The Encore — Las Vegas

Album Of The Year (5)
Nero – Welcome Reality
SBTRKT – SBTRKT
Nicolas Jaar – Space Is Only Noise
M83 – Hurry Up, We’re Dreaming
The Weeknd – House Of Balloons

Enjoy most of our favorite songs from 2011 on this edition of SPOTHEADS, courtesy of Sneevs.
 GDD™ SPOTHEADS: Best of 2011 (36 Track Spotify Playlist)

__________________

 jonahberry

Gear Review: AIAIAI TMA-1

Launched last summer, AIAIAI’s TMA-1 headphones have quickly become the headphone of choice for a vast number of DJs on the world circuit, competing with industry heavyweights Pioneer and Sennheiser. Made with DJs in mind, AIAIAI designed the headphones with Tomas Barfod and Fredski of the Tartelet label, and enlisted a diverse range of artists to road test them in their various stages of product development. Artists involved included Matthew Dear, Luciano, HudMo, Erol Alkan and Kode9. We took some time out to put the TMA-1s through their paces and here’s how we found them:

AIAIAI are a company based in Denmark, a nation renowned for it’s design, so stylistically there are few headphones on the market that come close to looking as sharp as the TMA-1s which boast a minimal look, comprised of rubber and a matte black finish. Everything on the headphone rightly serves a purpose, and they don’t resemble the Fisher Price inspired skate headphones that seem to be flooding the market at the moment. A result of them not being coated in multi-colored plastic enables them to weigh in pretty light at 190 grams, yet they seem highly durable, easily withstanding the rigorous abuse of a night out.

Matching style with impressive audio quality, the TMA-1s color the sound slightly by boosting the high end, which makes them a good choice for those who mix hats rather than kicks. Overall, for a pair of DJ headphones, sonically they remain pretty true, and there’s no sound distortion when pushed to obscene levels thanks to a frequency response of 20Hz – 20,000 Hz.

The only drawback is the lead to headphone connection, which can easily be yanked out – it could do with a locking mechanism like other headphones with this pricetag, but retailing at a flat $200, I’m yet to find a DJ headphone that matches the TMA-1‘s sound and durability for the price. If you’re in the market to buy a new pair of cans, I can recommend going with these.

M83 @ The Music Box

Last Wednesday GDD™ sent our first lady correspondent out into the field to cover one of the hottest acts in Electronic music. So here she is, directly from KYPN in Asheville, North Carolina, Miss Deirdre Coleman

Anthony Gonzales aka M83 is on tour promoting his latest Billboard topping album “Hurry Up We’re Dreaming” and at last Wednesday’s sold out show at the Music Box, we were all dreaming together. With a starry backdrop behind them, M83 took us all a little higher with their dreamy synths and lots o’ reverb. Most of the set was from the new dual album, which was good fun. The crowd sang and undulated along to new tracks such as Claudia Lewis and the currently popular Midnight City. There were some older gems in there as well, including one of my personal favorites We Own the Sky.

True to form, the show was a perfect balance between the dramatic melodies, ethereal vocals and the more rock infused guitar and keyboard solos. Highlights included the extended jam sessions throughout, Gonzales dropping to his knees and rocking out with his female vocalist/keyboardist, the saxophone player cameo for Midnight City, and when the lights washed the crowd in a sea of green as M83 went on a heavier tangent, cranking up the low end (insert slow body lurching and head reeling).

Overall: A chill-inducing, stunning performance, both aurally and visually. We all left with stars in our eyes.

Great story. Compelling, and rich. Thanks D, you stay classy.

We’re also happy to announce that the band will perform on Late Night With Jimmy Fallon on November 21st. So set your TiVos/DVRs so you can fast-forward through Jimmy not being funny and skip to the good stuff at the end ;)

BREAKING NEWS
We’ve been cleared to post this beyond stellar remix for DL!
• M83 – Midnight City (Trentemøller Remix)

I hope everyone picked up on the Anchorman theme.

GDD™ Escape From Wonderland 2011 Recap + Set Downloads

You know it’s going to be an interesting day when you wake up to the sight of 6:45 am on the clock and you’re exhausted from partying to the sounds of SBTRKT, Laidback Luke, 2manydjs, Fatboy Slim, and Rusko the night before at HARD Haunted Mansion. Early last Saturday morning, my friends and I made our way back to the west side from downtown LA, only to rest and prepare for our journey inland to Insomniac’s first Halloween massive, Escape From Wonderland. See what it was all about after the jump…

We arrived just after sundown and the sound of bass in the distance left me both anxious as well as strangely calm to know that we had reached our destination and our night was finally upon us. We made it through the relatively short security checks, and as we walked into the NOS Event Center, we noticed the dense fog that enveloped the area in and around the lagoon, which signaled that we were entering a place of Halloween debauchery. After just a short walk from the entrance, I felt completely immersed in the Escape From Wonderland. I was surprised to see the excellent work Insomniac did to create such a reality altering environment, yet in the back of my mind, I expected their masterful execution. The dark had fallen and there were hordes of monsters, zombies, and whatever else hastily weaving their way through in front of me. The hundreds of lights suspended in the air were flickering above, and I could hear the pounding music that beckoned me to come indulge in a hedonistic fashion. I feel that Insomniac did just about everything they could to bring more to the table other than music with haunted mazes, rides, 3D attractions, and art installations. The Insomniac founder, Pasquale Rotella, always stresses that he aims to create a comprehensive experience for his attendees and he certainly did just that with his first Halloween effort.

As with any other Insomniac event, the production was first-class and included powerful sound systems as well as over-the-top light designs and no shortage of lasers. The main stage was the awe-inspring colossal structure that Insomniac has used in the past and I literally felt like I was standing in a gigantic space ship. In the Ghoul’s Graveyard tent, it was a great time dancing dirty with the skeletons and ghosts hanging from the ceiling, and I must say that I laughed to myself at the absurdity of the sight… Everything came together very nicely and definitely enhanced the experience.

Now for the music… I gave myself a very energetic start to the night at the Chopping Block (dubstep/dnb stage) with Brookes Brothers throwing it down and playing an absolutely killer set that was fitted perfectly to the vibe of the crowd throughout. After receiving a solid dose of drum ‘n’ bass, I made my way out to the Ghoul’s Graveyard (house tent) and the Slaughter House (main stage) to catch the end of Dimitri Vegas & Like Mike and a portion of AN21 & Max Vangeli. Both of the stages were overflowing with energy as everyone seemed to be in tune with one another and the good vibes acted as a catalyst for dancing. In the span of a couple hours I saw the impressive R3hab, Subfocus, Afrojack, and Benny Benassi. I must note that when Afrojack was playing, the Ghoul’s Graveyard was spilling far out of it’s boundaries and once/if you made it in the tent, it was more of an oven than a graveyard. Also, it was awesome to see Mr. Benassi appropriately dressed in a Superman costume. The rest of my night consisted of Pendulum heaviness and big room Steve Angello. You can always count on Steve Angello for great mixing, track selections, and hyperextended buildups that foster a level of tension that I find unique to Steve. During his set was the first time I ever participated in a sit down/jump up ordeal and it got pretty insane when the jump up was triggered by the Swedish House Mafia & Knife Party track, “Antidote”. After the music had ended and my experience was complete, it was clear that Escape From Wonderland was one of the very best electronic music events I had ever attended.

Escape From Wonderland was excellent in all respects and above all, I thoroughly enjoyed myself. I want to thank Insomniac for providing us with consistent, quality events, and I look forward to continuing my support.

Attempt to relive the experience or enjoy great sets with the downloads below:

Steve Angello
Benny Benassi
R3hab
Thomas Gold
AN21 & Max Vangeli
Bobby Burns
Le Castle Vania
Markus Schulz
Jochen Miller
Dash Berlin
Umek
Tritonal

*Tracklists can be found here.

Photo credit: Transist Film Co.Drop Beats Not Bombs, Sarah Mattingly

Toks

GDD™ Morning Update: Modeselektor/Thom Yorke, Fatboy Slim, Metroplex, Warner Music Group & EMI, Wakarusa Music Festival

Happy Halloween from GDD™! We hope you had as wild of a weekend as we did, keep an eye out for event reviews this week. We’re back at it again on this Monday and I have news of the Modeselektor/Thom Yorke video, Fatboy Slim on DJing after rehab, Metroplex, Warner Music Group and EMI, Wakarusa Music Festival.

Watch the Video for Modeselektor and Thom Yorke’s “Shipwreck”

The video for Thom Yorke and Modeselektor‘s collaborative track “Shipwreck”, directed by Tony T. Datis, features a little boy with blue eyes, blonde hair, and a visibly disturbed nature. He encounters zombies and a vicious dog while curiously collecting batteries. Watch it below (via NPR) for the kicker.

“Shipwreck” comes from Modeselektor‘s new album Monkeytown, out now via Monkeytown Records.

(via Pitchfork)

 

Fatboy Slim on DJing After Rehab 

Fatboy Slim has revealed that he was “scared” that he’d be unable to DJ sober.

The dance icon, real name Norman Cook, checked himself into rehab in 2009 shortly after a disastrous and very drunk performance at Good Vibrations in 2009.

He told the Sunday Mirror that one of the biggest hurdles he’s faced since then has been taking the stage without alcohol. “I was scared that DJing sober would be a nightmare,” Cook said. “I was shitting myself that I wouldn’t be able to do it or be as good. It was two or three gigs before I could dance. My hips wouldn’t do it.”

Fortunately, that wasn’t the case. “I get a completely different buzz nowadays. In rehab they taught me about euphoric recall. When I’m in a situation where everyone is ‘having it’ I have memories of the past coming back to me. I get a natural high from remembering those times.”

“I do get high through DJing, but without all the baggage that comes with it. Having experienced it myself I’m in tune with what the ravers are going through without actually going through it. I don’t ever feel left out.”

He’s not looking to wind up his decades-long career yet, either. Cook recently announced that he’s planning to release a new single under a different moniker, and told The Daily Trojan “I’m just happy I’m still allowed to do it. I’m part of the wave of DJs who were taken seriously and given respect”.

This is especially good news for Future Music Festival attendees, who’ll be seeing Cook in full-euphoric recall mode come March.

(via inthemix)

 

Juan Atkins relaunches Metroplex

Metroplex, the seminal Detroit techno label run by Juan Aktins, will relaunch this week with a 12-inch from Brooklyn producer Kimyon Huggins, or Kimyon.

Not counting a dry period between 2004 and now, Metroplex has been in business for more than 25 years, and has put out records by some of Detroit’s most influential artists, not least Atkins himself and his Model 500 project. So why the seven-year break? “Basically we just didn’t have any releases, so we kind of went on a hiatus,” Atkins said over the phone last week. “There was no real specific reason—just took a break for a minute.” Atkins says he re-launched the label because he started hearing music he wanted to release again, eventually settling on an EP by Kimyon, who he collaborated with two years ago on the Work for Money EP. Entitled Platform View, the new record will be released in a limited run of 200 records on Friday, and be released digitally on November 11th.

Looking ahead, Atkins is working on a new Model 500 album, which he says should see release sometime around next spring, with the first single out by the end of 2011. He also hopes to make Metroplex’s entire back catalog available through a new label website, and has mused on releasing a Model 500 box set with all of the records’ original packaging. More details on those releases as they become available.

Tracklist
A1 Platform View
B1 Make The Bed
B2 Crunktastikk

Metroplex will release Platform View on November 4th, 2011.

(via Resident Advisor)

 

Warner Music Group Drops Out of Bidding for EMI

Access Industries, the owners of Warner Music Group, has pulled out of the auction for EMI’s music operation. According to Billboard’s sources, the two sides could not agree on a valuation, though Access’ bid was speculated to be in the $1.5-$1.6 billion range.

It appears that Citigroup, EMI’s current owners, were holding out for a higher offer, but may have made the wrong move. Universal Music Group withdrew from the auction last week, and MacAndrews & Forbes put in an offer lower than Access’ bid.

EMI was purchased by Citigroup in February. The financial service conglomerate subsequently wrote down the company’s debt by $3.5 billion before putting the label on the market in June. Warner and Universal Music Group have pursued acquiring their recorded music division, while Sony and BMG Rights Management have bid on EMI’s publishing arm.

(via Rolling Stone)

 

Wakarusa 2012 Dates

Wakarusa Music and Camping Festival has announced a return to Mulberry Mountain in Ozark, Arkansas on May 31 – June 3 2012. For those of you interested in getting your hands on one of those coveted Reserved Campsites, Friday, November 11 at 12:00 p.m. is the date to remember. Click here for all ticketing information.

(via JamBase)

 

Toks

Tech Review: Native Instruments iMaschine

On Wednesday Native Instruments launched their hotly anticipated iMaschine; a $5 Apple app and sister product to their vastly popular Maschine. The new iMaschine app offers a string of looping, sampling and effects possibilities from the Maschine enabling you to sketch musical ideas on your iOS device and then upload the resulting grooves as 44.1kHZ 16-bit WAV samples either to your DAW or directly to Soundcloud.

We spent the past couple of days putting the iMaschine through its paces, and what we found most impressive about the app is how pared back it is: it’s a really easy interface to navigate on the fly. While the initial sample library may seem limited (particularly when you compare it to how extensive the Maschine is), NI strike a healthy balance in terms of offering just enough to engage experienced producers, while not allowing the app to be so complex as to confuse those using an interface like this for the first time. What’s more, for those so inclined, the iMaschine gives you the option to buy or upload pre-existing loops, instruments and sample banks from the AppStore or your DAW, which means that the possibilities are endless.

Hear how we got on with the iMaschine after the jump…

How it works…
The iMaschine operates in 4 groups, each of which you can to assign to a pad, a keyboard, or an audio recorder using your iOS device’s mic. The app comes with a library of 10 projects, 25 kits and 400+ individual samples all in WAV form. To reiterate, the iMaschine seems pared back and well thought out: for example, the note repeat function is vital to avoid you looking like an twat hammering away at the screen of your iPhone in a public place. Similarly, a live-mode sequencer automatically detects the length of each loop, and an optional quantize setting can be turned on to make the timing of each loop a little tighter. The effects banks operated via two sends on the mixer page are fairly basic, but operate cleanly, offering Delay, Flanger, Chorus, LoFi and a range of filters for each of the 4 tracks.

There are a few initial glitches which Native Instruments need to iron out as on some iPhones the app has been crashing, but when we took it for a test-drive we didn’t incur any major issues. Overall, whether you’re a producer or a consumer of music, for the price ($4.99/£2.99) it’s a must have for any iPhone-owning music lover or aspiring creative.

To get an idea of what the app’s capable of, here’s a promo vid of Jamie Lidell performing “Little Bit More” in one take with the new iMaschine:

Sweet FA

Review: James Blake at The Music Box + Essential Mix

Photo Credit : Jessica Comingore of LA Weekly

Last night, Troy Kurtz and I eagerly ventured out to The Music Box in Hollywood to witness a live, sold out performance from James Blake and his band. Stripping away the ensuing bodily pains from late Thursday, Friday, and Saturday nights, we knew that this was a show that we couldn’t pass on, and we were right.

Blake took the stage around 10:15PM along with his team, Ben Assister on drums and Rob McAndrews on the guitar and sampler, and started right off into a powerful one-two punch of ‘Unluck’ and ‘Give Me My Month.’ Seemingly very glad to be back in Los Angeles, Blake never once forgot to share his appreciation for the thundering applause after each of the first few emotional numbers. Moving piano solos then transformed  into wall-shaking low end, and two of my personal favorites, ‘CMYK’ and ‘Limit To Your Love,’ proved to be a perfect, back to back halfway point of the performance. Supplemented by a barrage of dramatic spotlights and strobes, the trio went on to play 3 more songs before the encore, including the title track of the forthcoming EP, Enough Thunder. As James, Ben, and Rob left the stage for the first time, the applause was nearly deafening and all faces remained vexed toward the stage. Just as the shouts of awaiting concert-goers began to fade, Blake re-entered the stage at Music Box for 2 final songs, including the pumping Digital Mystikz cover and another from the new EP, ‘Once We All Agree.’

As Troy and I turned away to head back to the car, we realized that James Blake may just be the next generation’s Thom Yorke. Don’t agree? See him live.

Check out the set list from last night as well as James Blake’s Essential Mix from last Saturday after the jump.

James Blake Live at The Music Box in Hollywood – 9/18/11
Unluck
Give Me My Month
Tep and the Logic
I Never Learnt to Share
Lindisfarne I
Lindisfarne II
To Care (Like You)
CMYK
Limit to Your Love
Klavierwerke
Enough Thunder
The Wilhelm Scream
Encore:
Anti-War Dub (Digital Mystikz cover)
Once We All Agree

James Blake – BBC Radio 1′s Essential Mix 9/17/11

Tracklist:

Erik Satie — Gnossienne No.5
James Blake — Olivia Kept
James Blake Versus Drake — Half Heat Full Versus Up All Night
James Blake — Pan
SALEM — Trapdoor
Snoop Dogg — Drop it like it’s Not (Harmonimix)
[unknown] — Unknown
Klaus — Tarry
D’Angelo — One mo’ Gin
[unknown] — Sicko Cell
Blawan — What You Do With What You Have (R&S Records)
James Blake — No More Than A Road (Dub)
James Blake — At Birth (Dub)
The Chain — Suffer For Your Art (R&S Records)
Peverelist — Roll With The Punches (Harmonimix)
[unknown] — Navigator
OutKast — Return of the G
Africa Hitech — Out In The Street
DJ Nate — 3 Peat
James Blake — Deeds
Gavin Bryars — Three Elegies for Nine Clarinets II
Gavin Bryars — Three Elegies for Nine Clarinets III
Odi et Amo — Johann Johannsson
Grouper — Vessel
James Blake — Untitled
James Blake — Untitled
[unknown] — What Was It
The Tallest Man on Earth — Love Is All
SALEM — Redlights
Rev. James Cleveland — Jesus Saves
Trim — Confidence Boost (Harmonimix)
James Blake — Evening Fell Hard For Us
James Blake — Placing Us
James Blake — Words We Both Know
Arthur Russell — Love Comes Back
Stevie Wonder — You and I

___________

jonahberry

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